Jewelry Company, “Romance Fraud Online” | Album Review | Seven Days

(self-release, digital)
A note to those in relationships, especially those who have been together for years: rough I am now there for singles looking to find love. Hell, even trying to find a date or encounter is an ordeal. People who paired up before the app facilitated 90 percent of love meetings (a perfectly accurate statistic, don’t dispute me) how nightmare it is just trying to find play I do not understand.
Never mind the difficulties that arise from technically filtered conversational attempts. Bots, hackers, spammers and scammers are getting harder and harder to spot.Send a few messages in chat and you may find that the other person doesn’t want it youjust a social security number.
For older millennials like me, it’s hard to imagine what dating would be like for a zoomer with no experience other than Tinder or Grindr. Manriel Grant and Ezra Ouellet, the duo that make up Burlington’s electro-R&B costume jewelry company, were born in 1990. top of the generation. At 28 and 26 respectively, they’re just old enough to know there must be a better way to find love. And they cover it in glossy detail on their extraordinary debut LP. online romance scam.
Formed in 2016, the jewelry company burst onto the Queen City scene with an EP in 2020. cheap medicine. Grant has a famous aunt in Burlington. It’s City Councilman Melo Grant (P-Central District), who has hosted the WRUV hip-hop radio show Culture Bunker for nearly 40 years. Her nephew’s band makes exactly the type of local music Melo would expect to play on her show.
The titles of the Jewelry Company releases emphasize cyber-centric POVs, each alluding to spam and other questionable online fraudulent activity. But the generality of these titles, and even the band names, cheekily subverts SEO best practices. They know the rules so they can break them and have fun.
Grant and Ouellet explained in an email that they were very online during their formative years, even though they didn’t get smartphones until adulthood. They frequently played computer games, downloaded music through the file-sharing platform LimeWire, and immersed themselves in gaming forums. They didn’t spend middle and high school with porn machines in their pockets all the time (you can guess) like many of their contemporaries, but technology has had a ubiquitous effect on their culture. I was.
Their music reflects that. A glorious blend of electronic sub-genres such as drum’n’bass, UK garage and acid house, Jewelry Company’s music feels current. As they question the world of online dating and how it permeates their psyches, they become enthralled by propulsive beats and a bevy of synths of varying tones and textures. . Grant and Ouellet sing smoothly and matter-of-factly. In the face of so much turmoil, they remain calm and collected.
The aptly titled opener, “Loading,” takes a minute to buffer, but contains the album’s theme of “Who I am is in my pocket/But the world is on my screen.” increase. They seem to be saying, “The Internet contains a lot of information, but we would rather use it to sift through a marketable version of ourselves.” . Culminating with a Boots and Cats beat, this foreboding track previews and teases some of her 11 songs to come.
‘Persona’ ignites the fiction of everyday life on social media. Grant and Wellet go for all sorts of fabrications, including filtered selfies and the way people hype themselves up. The bass and drums add structural weight, aided by occasional quick blasts of MIDI horn fanfare.
“I swear I can find your arrogance if I close my eyes,” Grant sings in a verse that directly hints that things aren’t always going to get better, which is on the album. It is one of the many recorded bon mots. These two are just as adept at wordplay as they are at throwing vibes.
One of the brightest examples of their lyrical prowess is perhaps the record’s best cut, the diss track “Cold.” (TBH, it’s hard to pick a favorite.) Based on an icy Whitney Houston synth, The Jewelry Company concocted one of the worst burns I’ve heard in years.
“You’re not the one I complain about,” they sing on a loop. As simple as it seems, this phrase says a lot with a few words. The things we complain about are what make us passionate. I don’t complain about people who aren’t interested, even if they actually “break a cold sweat” and “can’t sleep.” “you no “Who are you complaining about?” is the same as “I’m not thinking about you at all.” The chef’s kiss, even if it obscured a deeper truth.
Most of the record is a dance party, but the slow jam “French” is a much-needed pit stop. According to a press release, the instrumental was produced in 2017 and is some of the oldest on record. Another clever, thorn-filled song, “French,” features a beta-blocked beat and chillwave, sand-edged synths. Kicked off by Grant, the song denounces high-society snobbery, or worse, people who pretend they’re high-class when they’re actually trash.
“Saying it in French doesn’t make you pretty/Just because you have a French accent doesn’t mean you can be rude,” Grant bickers.
Grant and Wellett seem to have a truly equal partnership. In a press release, they point out that they are writing and producing in parallel at Wellett’s home studio. Wellett also explains how he decides which songs are the best. “If an instrumental sounds like the ’80s pop ballad that took Molly the night before, it’s a good instrumental.”
Members of the Jewelry Company may be baffled by modern romance and communication, but they are clear-eyed and confident when it comes to telling stories and lighting up the dance floor. Someone please date me
online romance scam Available on jewelrycompany.bandcamp.com and all major streaming platforms.
Source link